BUMPER STICKERS // JOHARA ALMOGBEL

To think, I stood there. In the wind. Where you were, and then weren’t, when I was too late. When I’d run after you, when the storm fought against me, when your brain gave up and when my legs gave out. And I was too late.

Too late. Funny that word is, now. We always thought we’d be too late, too late to grow up, too late to slow down, too late to be us and too late to save you.

But in the end, I was the only one too late to do anything, wasn’t I? You had caught up. On time. Leaving me behind as I struggled to catch up. Struggled against the storm where your heart gave up and my body gave out.

And to think, I stood there. In the wind. By the edge where you ran. Where you’d been, and where I wasn’t, because I’d finally caught up.

Right on time.

 

ON LUNAE'S TWENTIETH REVOLUTION AROUND THE SUN // MESHARI

Lunae has this distrust for local weather forecast reports because of her belief that the day’s weather is determined by the people she comes across in the street and their faces rather than a chance of precipitation or wind speed. I remember her once telling me she learned braille by running her fingers, and tongue occasionally, through old lovers’ thighs in poorly lit rooms embellished with a perpetual haze of nicotine. Now, she walks around with braille dots covering her fingertips as a memento mori. A reminder of that mortality devouring her and adding gasoline to her flame of passion tucked comfortably (some days not do comfortably) in her fingertips. That mortality reminding her to kiss, touch, and love. To be before she’s not. She developed this habit of carrying pocketfuls of flowers for loud days to hold against her ears and listen to a daisy or marigold’s childhood stories. On her death bed, her mother whispered in her ears, “don’t stop picking clouds and tasting them”. Now, between classes, you can usually find her on top her favourite tree on campus with a spoonful of cumulonimbus. To her surprise, she doesn’t mind the grey ones too. Her friends in the architecture department borrow the ends of her smiles to model bridge arches after. Granted, I don’t think any of them passed the assignment but the arches were very pretty, indeed. She dug out the Ark of the Covenant from God’s hands to expose, and bathe in, man’s flaws. That day, that blasphemous day, she danced on moons, stars and crosses. She spent a whole week bouncing between God’s various houses with a battalion of lost zen meditators only to prove to people the kind of God that came and kissed her forehead when she slept next to her mother’s empty bed does exist. Lunae wanders around train stations at night lighting cigarettes with ephemeral platonic conversationalists (travellers, some would call them) sitting between the rail tracks rail tracks rail tracks. Old man St. Paul forgot to include her in his Christmas card mail list but thats okay, she still makes sure to send him little birds’ ribcages and feathers in an envelope to keep his mind off that dreaded upside-down cross (a very uncomfortable one, she told me once). Disappearing into her uncle’s mountains, she followed the steps of Zarathustra, an old friend of her great grandfather, leaving behind the trail of cigarette buds and unwritten poetry. Her previous lover was a man she met on the train looking outside the window with a childlike penchant for discovery. He was talking to himself and jittering random numbers in a small notebook while drinking a cheap cup of coffee. She bough a cheap cup of coffee for herself and help his free, sweaty, hand; jittering as well, for the entirety of the trip. She kissed his knuckles when the train stopped and that was that. Lunae revolves around the run the same way a hummingbird flutters in a child’s belly the minute they are born; erratic, uncomfortable, but at the same time, she revolves around the sun with an infinity of dreams juxtaposing the reality fuelling her passion and love for the insignificant. Just like the jittery love, Lunae’s childlike penchant for discovery was only a speckle in the nebulae of childlike penchants lining alongside her spine. 

 

A SH. // RAGHAD

Maybe endurance chose us
so we can familiarize ourselves
with our family car's leather backseats.
The same ones we've cracked
from fidgeting;
unwilling to assume the role of
towing behind. 
We're such perfect candidates
to carry endurance.
I swear. 
We've claimed so many roadsides 
as ours, 
for the rush,
because we'd gone
from 15 to 20
in the most stunted way possible. 
Now we're talking about lavender fields
peonies adorning vases
the french revolution
Charles Bukowski
walking through the fire
and we've never even wandered off 
into our city
or had our shoulders kiss
the palm trees on the pavements. 
Woman,
we look like funerals
when we're standing under the sun.
Woman,
blessed is your endurance.
Your praying matt.
Your womb.
Your spine. 
Woman,
ash is the color of the washed out
sand clinging to our definitions.

PLAGUED WITH HOPE // MANAR

Plagued with hope
we travelled 
our vein-like city streets
looking for the road less travelled
hoping 
it’ll take us 
to tomorrow.

But
our dry
inhales
and 
exhales
have started to burden 
our lungs
and chafe
our insides.
Our hearts
sick of repetition
started
skipping beats
just for something to do.

Our travels 
have led us 
nowhere.
We
went
only
in circles.
Our hearts
giving our confusion
a beat 
to dance to.

Maybe
tomorrow
is a land 
promised 
for people
who 
aren’t us,
but we 
have 
spent 
too long
chasing after 
a mirage,
our feet
no longer 
know
how to
stop 
twirling.

IMAGES // NOUF ALHIMIARY

what if i fill out the form with truer answers,
write down how i’m best at looking with blind
eyes at photogenic secondhand moments?
and mailing love poems to the graveyard of
love, addressed to all dead inamoratos.
                                        (when the water rises, you
                                        better be fast, caution has
                                        always caused you accidents)
my tongue’s not for licking
love, its burnt buds don’t
heal fear, they can’t fill you
up or satisfy your hunger. 
you can run away; 1, 2, 3,
but it lives where i live.

 

5. // REEM

i am living in a dug hole with fantastic lights and bodies sprawled on top of each other gasping for air, picking dreams out of his hair, hold my breath until someone starts singing. tom waits saved a night or two with cigarettes, we're playing pianos with backward hands and i don't know what they say about the mind, it's rural, and futuristic, classified just in the humming section. i moisturize my nose, feverishly, i have a heart that can't be chained, too, but i try too hard to keep it with you, i don't want it either.

HEAL // JOHARA ALMOGBEL

Line your eyes, powder your cheeks. Smear your lips with rouge. You cannot be seen in the flesh, you cannot be the real you. You are an automaton, and automatons look good. Walk straight. Don’t breathe. You are not an adult until your hair is straight, you are not human until your back is straight and you are not safe until your skin is hidden beneath layers and masks and words. Paint yourself, and paint some more, paint until you reach your lisa smile and then again until you’re nothing but a statue in the midst of other statues in a square draped with ivy and smothered in fog. And then raise your head, and be proud, and let your unnatural beauty shine.

For now, now, you are acceptable. You will blend. You will be free. Until the night comes, and you wash it all away.

[Wake up flawless.]