MEMOIRS OF POSSIBILITY // SHAHAD

Dear diary,

The air smelled heavy with tea, musk, and hope. 

I followed the echoes of laughter as they led me to the patio. The sun was shying away from the horizon, and the clouds responded by cracking themselves open to reveal some pink and orange streaks of light that clashed with the clouds’ blue­-white demeanor. It was almost magical, I thought. The sunsets never color the sky like this anywhere else. 

I sat down, across from strangers. I mean, they were practically family, but I had only been around them for a few weeks. They spoke in hurried sentences, and blurs of hand motions. Sometimes, I tried to reach out and grab a word or two from under their lips, so I could decipher them later. But, whenever I pulled the words out of my pockets at night, they came out withered and empty. It's almost like they're wired to the souls of these people. 

Such a shame, I would have loved to take some of their language away with me, when it was time to leave. 

They didn't notice me, of course. These humans never do, but I sat there anyways. Looking for something out of the ordinary to capture with my pen. There was the mother I had been following around. She was wrapped in her usual array of colors streamed onto a long cloth they call thobe, which complemented the bundle of stories she carried under her half smile. Her long fingers, crinkled and soft, were wrapped around a white teacup that marked the coming of the afternoon in all of the houses of this country. I don't know what the milky brown liquid in it tastes like, but to me it smells a lot like ritual. Which is comforting. I have always liked ritual, she is a loyal friend. 

Then there were the others. They were quite odd puzzle pieces, but then again, this country is full to its brim with extraordinary pictures. This house had a little girl who wore her hair in two braids. Her name was Mona, she was fresh with enthusiasm. I figure she's quite young, you know, because it shines brightest around her. But then again, you can never trust enthusiasm to tell you anything about age. These humans are unpredictable. Most of them dim down their enthusiasm as they grow older, but in my lifetime I've seen quite the number of outliers, I can tell you that! Anyways, Mona was sitting by the young man. I don't know what his name is, but they call him Jidu. I know that is code for grandfather in their language, but he had no withered skin, nor did wisdom come to visit him as often as it does all the other grandfathers I've seen. How strange. 

Across from Jidu, on the other bed that took up half the length of the patio, sat the father. He sipped his tea while he flipped through pages of the world. I think they call it a jareeda. I suppose I've told you about it before, it's that fold of pages with pictures and words on it. The humans like to read it in the morning so that they can, later, talk about the things that happen on the other sides of the sea. Many of them put a lot of faith in it and believe what it tells them with very little reluctance, but not this father. He wears skepticism under his seeing windows. I've grown to like him, he's clever, I just wish he would lift this heavy veil he places between him and myself. He would be interested to learn of my adventures abroad. I could teach him a few things about change.

There was a knock on the door, and Jidu went to open it. Hails and greetings filled the air as a few of the father's friends walked onto the patio. The mother rose and walked into the house to bring some more white teacups from the kitchen. The knocks on the doors surprise me as an odd gesture, because no one really leaves their door closed around this time of the day. Everyone is expecting a visit at any time, although they never really know it’s coming. It remains a mystery to me, but then again, many things about this country do. 

The afternoon dragged on, and I was asked to leave the father and his friends' gathering because politics was coming. Politics wasn't a bad guy you know, but our chemistry usually doesn't allow us to co­exist, at least not here. That's just how it is. So I followed Jidu around for a change. He was standing under a tree, whispering into a little box. 

“I’m alright Alhamdulillah , I just miss you. Yeah he’s here, but I don't think they'll discuss any of the formalities today. My father is reluctant, but I told him it was secure enough... but... I know, but... I’m looking for one in Qatar, or the UAE... I don't know if I want to tear you away from... It isn't easy you know... You're all the family I want, but every home needs some ornaments too.” 

He sighed, and then began to talk about his day. His laughter was broken whenever it escaped his lips. I wondered who he was speaking to, although I figured it was a girl because these phone calls always made him wear that face. It was hard to describe what it looked like, but whenever I saw a boy wear it his heart declared its existence more loudly, and his nerves intertwined into butterflies and fell into his stomach. It was interesting to watch. 

Anyways, that’s almost everything noteworthy I remember about that day. The musk wore off, the tea was sipped dry, but hope lingered on to the air. Something was coming. 

 

INGLORIOUS // SAEED RASHED & NIHAL ABDILATTIF

 
IMG_7249.jpg
 
 
 

My heart lies in nostalgia

My heart lies in an ancient land

The ruins were not so ruined

Had the love been loved? 

Had the cold been told

That there's a flame awaiting after falling back? 

Stuck in the future and in my aspirations 

It began to feel like growing up is equivalent to falling from grace.

And every winter the ledge decided to grow taller

And here I am seeming smaller to the abyss 

With every winter the transparent pain wrapped itself around me tighter for a status.

My pen is running dry as I'm writing myself this

"Dismiss

Dismiss"

I kept murmuring to myself. 

But I shall return to this sentimental self of mine with a whole lot of ink

For I am afraid I will get stuck again

In my future and in my aspirations

I yearn for another beam of light 

In the ruins of my emotions 

In the glory of my love 

***
text // saeed rashed
art // nihal abdilattif

 

PASSPORTS // SHAIMA ALSSLALI

We are all, by some means, loyal. To someone, to something, to an idea, or a place. We belong by natural disposition to something of our choosing, hence defining and defending our restrictions in case any insurgence should occur. In a civilised world, most of us (I'm looking at you, Kuwait) have passports that tie us to certain cultures despite our unwillingness to adhere to them. We are children of that land, that is the basis of the system. Problematically, however, for citizens of wonderful Arabia, this appears to not be the case. Whatever land you were born on is of no concern, the real concern is "where can we dump you?"

I'm legally Yemeni, as Yemeni as Yemen gets. My passport is navy blue with a hawk or an eagle or whatever that squinty bird in gold is. I speak my dialect fluently, a gift of my culturally-proud parents. I'm even marginally good at Yemeni cuisine, something I never thought I'd need to learn because, well, I'm also Saudi. I'm Saudi in the sense that I was born here, Saudi in the sense that I've lived nearly 25 years here, Saudi in the sense that I'm more familiar with sand than I am with greenery, Saudi in the sense that I have to ask my mother about Yemen when I effortlessly know the littlest of things about life here, in Saudi.

And so, my loyalties are hazy for I love Yemen. I love Yemen, with its poverty and insufficient infrastructure, its perfect weather, divine architecture and otherworldly scenery, its generosity, hospitality, and wonderful food, Yemen has captivated me. But Saudi has always been home, I can navigate through Riyadh (via driver) with incredible ease, even mastering the detour maze where I insistantly fail a simple left turn behind my house in Yemen.

My loyalties are hazy, and have always been dormant, but now they're not. They're tested, tortured. Stretched from extremity to extremity to the point of laceration. Bombed in instalments 1200 air raids so far that set the cities alight. Terrorised every night for the past 2 weeks dusk till dawn. Annihilated. Demolished. Devastated.

It is very easy to point your finger at an Apache, ripping your sky up in half in patronising force. It's even easier to parade that force in a relaxed air of military supremacy, like a lion strutting out in the afternoon to stretch. It's somewhat difficult, though, to lie in the lion's den and cry for it to come back home. 

My loyalties take no hue, they're not leather-bound pages of pride. They're words of plea away from rubble, glass, and blood.

***
cover photo // steve mccurry 
more photographs of yemen

MISERY LOVES COMPANY // JOHARA ALMOGBEL

 

I'm a forest that's filled with sadness,
An ocean that feels so blue.

A continent that has cow madness
A man that has gotten the flu

A half eaten donut; a dropped ice cream cone
The shattered cracked screen 
of a spanking new phone

A black ugly bruise, a closet of grey,
I'm the lone thread of a dangling fray 

I am misery, mind that you don't forget me
I am much stronger than happy could be

Ouch! Stop that! Don't pelt me with pointy rocks-
Painted in colors and covered in frocks!

No! Don't! Get back from that brownie!
Don't crawl into a duvet that's quite downy!

Stop being content! Start feeling bad! 
Remember all that you could have had!

Oh phooey, I quite give up on you.
You're arrrghh-ptimistic, oh bleh! Pee-yoo!

I'll go to some other ridiculous child
I'll do my magic and they'll go wild.

Fine, okay! Yes I'm leaving now!
No need to dance and shout and-ow!

Okay! Okay! Hold your galoshes. I'm gone.

But let me leave this door open just a crack.
You never quite know when I might be back.

 

THE LOST LETTER // ILHEM ISSAOUI

 
 

and with the ink of my lost solitude
my lugubrious temper
my furious traits 
I write thee
with the plumes of
the gloomiest dooms
I write thee
and with the colour of despair 
that had ever since tinged every curve of the bosom
I colour thee
with the fragrants of
longing 
tormenting
the "plaguest" of the plagues
the sediments of bygone years that yearn everlastingly
with all the paradoxes
the dilemmas
and
the unsilenced
undeaf
incomprehensible
mournful 
mourn
I mourn me
and I scatter thee upon the grounds of purgatory
though I know
aye, I know
that wind shall contrive against me
and sow your seeds again
upon the land of me